Street noises and atmosphere from a walk up first ave and across 14th street, east village, nyc. Including one very loud siren that goes from left to right. Includes a quick pop-in to the quiet lobby of the post office. I'm pretty happy with the recording overall, but the road noise sometimes sounds a bit muddied.
Microphones are set on a wasteland of tripoli, lebanon. 2009children are playing, horns, motors, city rumor. The muezzin is far away and his prayer is unintelligeible, reverberated and hypnotic enough. A man is walking right to left not far from us with keys in the hand. At the end children you'll hear a child playing with a plastic gun. Recorded with audiotechnica at822, xyrecorded on tascam dap1,stereo, 16 bits, 48khz.
From 1:00-2:00in the sky a long way behind me and to the left, but somewhat far in the air, a group of birds are fighting above a large group of trees that are shaped like a ball of veins. Most of the birds are crows, or just black birds; each noise they make is a series of “caws” no different from each other in pitch, tone, or frequency. There's also the sound of 3 small birds directly to my right around 5 meters away from me, making loud but shrill chirping sounds. The birds are each the same size but and are hopping around the perimeter of a cactus right behind them. The wind blows onto the right side of my body and the front of my body. Waves from the ocean are crashing directly behind me, each in long sessions. The way they sound is consistent, like the sound of rain. Occasionally one of the waves will crash, increasing in volume but not in pitch or tone.
Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.
At a baby shower and there are these awesome paper pom poms that sounded so amazing when you dragged them over your hand, like wind rustling stiff grass or dry leaves. Lots of variants of speed, direction to give you motion options in the stereo track. I'm sorry about all the wind pops, but if you're okay with a mono track, there are clean passes on both right and left. Recorded on a tascam-dr-40 and cleaned up in audacity. Production-now. Com - shout-outs welcome.
This jump scare sound was created by playing 2 dissonant chords on a single coil telecaster mic'd up w/ a vox ac 10 amp. The two guitar tracks are panned left and right- reverb and delay are added. Additionally, frequency enhancers were added between 4khz - 6khz which adds a higher tonal energy in the upper range of the guitar. Gain is added which can be heard as signal noise mostly at the end of the clip. Enjoy. Bainmack.
La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.
Unzipping and zipping a medium sized soft laptop case. First take is unzipping, second take is zipping. Recorded in studio. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.
Unzipping and zipping a medium sized soft laptop case. First take is unzipping, second take is zipping. Recorded in studio. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.
Picking up and hanging up a lightweight modern home or office telephone. First take is picking up, next take is hanging up, and so on. Recorded in studio. Unprocessed. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.
Foley audio of passing cars on a country lane. Cars passed behind the direction the camera was facing. There's a mild stabilisation noise you may hear which could detriment your audio if not removed. Other than this, the sound is eloquent enough. Oin camera mic has been used from a canon 7d with no wind filter. Recorded in burnley, lancashire.
Picking up and hanging up a lightweight modern home or office telephone. First take is picking up, second take is hanging up. Recorded in studio. Unprocessed. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.
Picking up and hanging up a lightweight modern home or office telephone. First take is picking up, next take is hanging up, and so on. Recorded in studio. Unprocessed. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.
A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.
Title March Brass Band playing, parading by Artist stephan Original mp3 data Length:0:27 minutes (526.57 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Band, March, military, Music, Parade, Rifle Club Type Single Subject, Natural PDSounds record number 297 Comment German march band of the local rifle club playing. May, 2007 in Leverkusen, Germany Mostly brass players the snare drums. They come from left of the mic from some distance and leave to the right. A few by-standers in the streets audible.
Squealing sound that switches between the left and the right speaker channels, making an eerie, metallic, and slightly distant effect. This sound is a modification from the sound "creaking metal desk". Recorded with: shure sm57 dynamic microphone. Processed with: audacity. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.
I did some swishes myself using a spiral hose; i needed them for specific situations in video editing and the bamboo swishes i found here on freesound were too fast and strong. The flexible spiral hose made for some nice and slower swishes; some of the 16 sounds build up a little, some are very fast and strong, some soft and gentle. A whole pack for you to use. Recorded with a tascam dr-05 stereo (the movement always went from left to right); a little noise reduction in audacity.
A slow, fingerpicked chord progression on a 6-string guitar. I recorded this using my zoom h4n recorder and some external, stereo microphones. The microphones were the samson c0-2 and i had them mounted on two separatemicrophone stands: 1 was pointed at my left hand on the fret board to hopefully get the finger-squeaks, and the other microphone was pointed right above the sound-hole about 3 inches above the opening. Hope you enjoy this, and since it is creative commons, feel free to use this for projects, radio or podcasts. All i ask is that you use my real name, kevin boucher, in the credits. Enjoy.
Pacific tree frogs at night during mating season in british columbia. Slight wind sounds and occasional noises made by a black lab readjusting her feet on the concrete :-). Recording is mostly to the left but sometimes shifts a few degrees to the right, and the frog's build from only a few to dozens over the duration. Captured across the street from a water filled culvert in the southern gulf islands on an olympus ls7 portable digital recorder.
Recording of some new year's celebrations in vienna. Captured using a clippy stereo em172 microphone and a zoom h5 handheld recorder. I positioned the microphone capsules outside the window on the left and right and then gently (almost) closed it. I setup the recorder and rolled the whole evening. This bit was around the apex of the celebrations in that part of town. Sadly some clipping occured, but i chose to upload the unaltered file. So no post-processing has been applied. Cut in ocenaudio. Enjoy!. Want to support the creation of more cc0 sounds?https://flattr. Com/profile/cabled_mess.
Front l+r channels. A passing thunderstorm and dripping rain recorded on march 8th, 2009 at deer grove forest preserve near palatine, illinois. The recording is slightly edited to prevent it from being too long. The recorder was placed under a picnic area roof, so the water is dripping from that. I think you can almost hear the storm passing from approximately right to left. Recorded using a (slightly wet) zoom h2 in 4 channel surround mode. Please see also the rear l+r channels of this 4 channel recording.
Rear l+r channels. A passing thunderstorm and dripping rain recorded on march 8th, 2009 at deer grove forest preserve near palatine, illinois. The recording is slightly edited to prevent it from being too long. The recorder was placed under a picnic area roof, so the water is dripping from that. I think you can almost hear the storm passing from approximately right to left. Recorded using a (slightly wet) zoom h2 in 4 channel surround mode. Please see also the front l+r channels of this 4 channel recording.
New york city street at night, with the microphone pointed out of the second story, street-facing windows of a new york city townhouse. Moderate, night traffic. Edited to remove mic bumps and occasional sniffling/coughing. Recorded with a zoom h4n pro on january 04, 2021 around 3am with on-board x-y mic pointed straight down at the street, and traffic coming from each left/right direction.
Warning: careful when listening, it gets loud!. July 4th. Recorded in the midwest usa, where we adore our explosives. The omnis on my humble dr-05 did a pretty good job capturing the sheer depth of zillions of people blowing stuff up together :-). You’ll hear: people having a party in the distance, a bonfire crackling on the right, a distant train blowing its whistle, and of course a lot of explosions. A couple of the big bangs clipped, but unsurprisingly, it made no audible difference. I reduced to 48khz, 24 bit and normalized to -3. 0 db. It really wakes up when you apply some eq to your liking. But i left it as is for everybody.
This is a percussion beats made at tempo 124. It spans 8 bars and is ready to be looped in your daw. This is a sound i've found in my old foxdot projects, it has a really cool "ocean" or "wave" noise-like sound that repeats at the right then left of stereo, in the end of each 4-bar segement. It layers multiple kicks and snares, with one of the sounds being stretched, that produce this "wave" sound. It can be evaluated in foxdot with the following code to replicate this result. D1 >> play(p[" [--]o h: -"]. Layer("mirror"),dur=pdur(5,8), rate=expvar([0. 09,2],8),sample=2, pan=sinvar([-1,1],16),amplify=0. 5).
Two contact microphones recording an engine from a mini cooper s in sport mode. Surprisingly aggressive-sounding. Intended to use for a race car asset. Contact microphones are stethoscope-like mics that you place onto a surface to record vibrations. This way, i was able to record the raw engine without wind or perspective. The left channel is the chassis and the right is the engine block. . . Blending the two together produces a great sound. Free to use.
I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.
Incorrect rendered and untreated noisy stereo loop, unintentionally done with an amiga emulator (uae for windows). Extremely dirty and distorted sound. The unrecognizable source was the title song of "speedball 2: brutal deluxe" (developed by "the bitmap brothers", music by "nation 12"). The error was was most likely either caused by wrong sound emulation settings or buffer underruns. Left channel is mostly white noise, while the right one is more like a hard industrial beat. This sound is licensed under "creative commons 0" to get you out of trouble, but i still would appreciate if you mention my name in the credits and give me a feedback, where the sound has been used! thank you very much in advance! ;-).
Quiet urban residential area in tokyo at about 2 am in the late summer (october, i think). You can hear far off traffic, some night insects and a drunk guy who came to close to my hidden mics to take a whiz. Excluding the peeing guy, quiet parts are perfect for looping (for ambient background sounds in video or audio works). The peeing guy might actually be useful, so i didn't cut it out. Faithfully recorded with a stereo mic pair placed at a 90 degree angle. The left-right balance was adjusted and the stereo field was expanded later to fix the lopsided sided flatness of the original recording. Other than that, the recording is unprocessed.
I wanted to record the sound of a keyring - or rather the keys strapped to it - make while in mid-air. There are the keys audible, recorded hitting the stack of hay (soft landing) and air blowign into the mics while the recordied has high velocity. I was throwing my recorer with my left hand, while simultaneously throwing my keyring with my right hand. The throw was vertical and the landing zone was a pile of hay. I thing there are some interesting sound here, i'm uploading it unedited to make it possible to cut out whatever you like. Recorded with a flying zoom h2 at 48khz/24-bit, edited, nomalized and converted to flac using audacity.
Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.
One of autumn's most signature sounds is that of dry leaves skittering and tumbling as they ride along on a hard surface. In this case, the hard surface is asphalt. Hardly any other sound, just the strong autumn wind, and bunches of dried out sweet gum, maple and oak leaves racing across an asphalt parking lot. Think of it, also, as the sound from our youth, our careful youth when everything was achievable. At least for me, this brings me back to my happy place. Recorded on saturday october 17 2020 in an asphalt parking lot buffeted by gusts between 20 and 30 mph. Sound devices 702. Sennheiser mkh416 left channel, beyerdynamic m58 right channel.
An excerpt from some in-car driving recordings i made with the windows wound down. My starting point is geotagged. I first turn right out of trail ridge court in streamwood, il, then wait to turn left at the intersection of schaumburg road and south sutton road. I then head north on il route 59. The car is a 1996 chrysler lhs 3. 5l v6 (note the recognizable sound of the creaky chrysler transmission as i slow to a stop). My recording setup was two audio technica at851a boundary mics, mounted upside down on the interior roof and facing out of the driver and passenger windows (with appropriate wind protection), running through a mixer into a zoom h4.
Quiquiriquí - mexico, wirikuta desert (spanish). Sound engineer: félix blumemicrophone used: ms setup schoeps ccm41+ccm8recorder: sound devices 744trecorded in july 2012 in wuadley (san luis potosi, mexico)ms is encoded in stereo left-right. The rooster’s singing has so many names around the world. Cocorico in france, cock-a-doodle-doo in english, kikeriki in germany, quiquiriqui in spanish. . . Does the rooster really sing differently according to his nationality?cocorico sound is a collaborative project putting together on a map rooster sounds from all over the world, using the freesound platform. Http://www. Felixblume. Com/cocorico-sound-project/.
Any thursday. . . It was about 1:00 am and i got my handy recorder zoom h4n with me. Then i realized i found very few sounds here at freesound. Org of steps for videogames. . . So i decided to record some. They have "so much personality", with keys in the pockets (you can notice them on the run), a dog barking when i run, and the sound of the street at night. It may not be 100% clean (for example, wind affects a little to the beggining of the run), but i think it's enough to emulate a videogame in a short film or something. I turn around once when dog is barking, you can notice the bark panning from left to right channel.
A field recording i made. The original file was about 3 hours long, i just cut a cool piece out and uploaded it :: gear: one røde nt-1a (right channel) and one shure 8700 (left channel; eq-based hiss reduction) :: setup: both microphones were mounted next to each other with an offset of about 2. 5 meters :: the preamp for the nt1-a was the on-board preamp of the yamaha mg16/4 mixing console. Directly recorded to adobe audition 3. 0. :: if you like (or dislike) the sample, download, rate and comment!.
A peaceful, drowsy-ish recording of a midwestern usa large field bordered by heavy forest. This was recorded in mid summer, on a very hot day. Temperature was 90 degrees, but, with 45% humidity it was manageable. The good thing about this recording is i was far enough away from humanity's engines to get no cars, no boats, no loud. . . . Anything. Well, except the insect chorus. This is the time of year in illinois that autumn is getting imperceptibly closer. The skies are clearer blue with less humidity. . . A few trees had red leaves. Nature taking a breather. Recorded at 2:30pm on thursday august 26, 2022 using a mixpre 6 recorder. Left channel: rode nt5 cardioid microphone. Right channel: sennheiser mkh 416 microphone.
Downloaded from the university of iowa electronic music studio. All samples are free. The uoi electronic music studio people ask you to consider a donation to the university's studio for their great recordings or to send them an email to inform them about what you've created with their work!http://theremin. Music. Uiowa. Edu/mispiano. Html. 84 notes. Unfortunately, gb7 is missing. . . Instrument pianomodel steinway & sons model bperformer evan mazunikdate november 5 & 27, 2001location 2017 voxman music buildingtechnician michael cashdistance left mic 8" above center bass strings right mic 8" above center treble stringsmicrophone neumann km 84mixer mackie 1402-vlzrecorder panasonic sv-3800 datformat 16-bit, 44. 1 khz, stereocomments stereo, non-anechoic recording.
Playground at the edge of a wood along a small lake. Boys (right) play a spy game in a wooden fort. Other kids (left) are in a merry-go-round driven my a mother. Girls on the slide. Recorded ijzeren man, vught, holland. Zoom h1 recorder, xy90. When you use this sound it would be nice if you spent a voluntarily donation to freesound. Remind that this is not a must. You are free to skip this request. Please credit/attribute me and freesound. Org if you use this sound. Please do it like this: sound from http://www. Freesound. Org/people/klankbeeld/do not use an indirect link.
It's me jamming a bit using my epiphone's explorer (tuned to drop-d). Recorded with a zoom h2 via mic-in and a jack cable. Unprocessed an undedited recording. I tried out some licks and chords. I'm not a good guitarist. Nevetheless, this might be a nice recording if you're making an animation about learning musician, or a game with a band member rehearsing alone in a room, or if you want to just chill to my little jam session. This should be mono, but i calculated the difference between left and right channel and it is not zero. So i uploaded it as a stereo file. Could use some denoising. There is some silence at the beginning so you can do that if you need.
Three quick samples of the gear one mk1000 on kick (+ a single audio technica at2020 overhead on the rest of the kit). Recorded straight into a tascam us-1800 in a lousy room with a less-than-optimal 22" mapex kick drum. Each quick loop / snippet is 1) presented in mono / processed with compression and some eq (mostly a 6dbish scoop at around 300hz on the mk1000 and 80hz rolloff on the 2020 with about 5db less on the mk1000 than the 2020), then 2) presented exactly as recorded / no processing at all save normalization, mk1000 panned hard left channel, at2020 panned hard right. The first two samples are the mk1000 in the resonant head cutout, the third is the mk1000 positioned about 4" from the head and just about 2" from dead center of the drum.
Afternoon traffic ambiance hum on the street - field-recording taken from the yard/balcony in front of my door, in the distance you can hear the warning buzz from the tram and later its starting off from the tram stop nearby. Tram continues then to go from left to right channel, accompanied by some random people noise from the yard. Brno city center, czech republic, central europe. Recorded by huawei prime phone, which unfortunately makes some noise filtering itself. Recording date: 11. 04. 2019.
Description of collection :dji mavic mini 2 sounds. Recorded on a zoom h5 stock xy mic. No editing not even normalizing, just chopped up segments in audacity. I apologise some recordings may have footsteps sounds, and remote blips (maybe the latter is good and more authentic). Mic may have been places either pointing left-right, or up-down, or both pointing up. Microphone wasn't on the floor, but set on a bench. Recorded indoor. Hope you enjoy :)ps: id love to hear how you use this sound, feel free to link your creations or share how/why you listen to this :).
Sound created from using the rings of saturn as a spectral source to a series of filters. When a 1 pixel high image of the rings is extracted it looks like a spectrogram (original: https://en. Wikipedia. Org/wiki/file:saturn%27s_rings_dark_side_mosaic. Jpg). The ring spectrogram was divided into three color planes, and the color intensity values were transformed into resonant filter cutoff frequencies. In essence one filter unit (per color plane) has 256 sounds playing simultaneously. The individual filters are placed along the x-axis so, that the stereo image consists of 256 steps from left to right. In this sound of the series the spectrum was compressed to a range of 20 - 1000 hz. A small variation in certain divider factor per color plane is introduced for a slight chorus like effect.
Overflight of 2 fighter jets (eurofighter). In quadro (in 5. 1-terms: l-r-sl-sr) you will hear them coming from front-left flying "above the head" to rear-right(roughly spoken). The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° record. Http://irt-cross. Mozello. De_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones). Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. Https://www. Sounddevices. Com/product/wave-agent/. Comments about this atmo-record are welcome! ;-).
As the earth continues to slowly tilt the northern hemisphere away from the warmth of the sun's rays, the pace of life in midwestern fields slows down. This recording was made at 3pm on wednesday october 5 2022 in a huge, 70-plus acre, abandoned farm field. A field bordered thousands of acres of state-owned forest. The soft peeps of the few remining birds, grubbing around for protein-packed insects is the soundtrack. At 5 minutes into this recording a delightful, friendly exchange between two birds as if they are saying "hey, let's help each other find food before this field is blanketed with snow at cold. ". At 7:05 in this recording a truck slowly drives by, softly crunching gravel and the driver slows down to witness this annual, melancholy autumnal change. Recorder: zoom f3microphone left channel: deity s mic 2smicrophone right channel: sennheiser mkh 8020. Enjoy.
Approaching army? rising nightmare?. Wrote/recorded an eerie nightmare approaching in the distance sound. The sound starts soft and builds to a crescendo. Ezdrummer2 was used w/ a low pass eq filter. Panned left is ableton stock plugin glass cave mirror. Panned right is polar pad. Center is the ezdrummer2 w/ a low pass eq filter combined with the all alone pad stock plugin. Each track is sent to a return track w/ heavy reverb and adjusted for parallel processing. Additional notes:-13. 4 lufs integrated-2. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.
Several years back my older brother stumbled upon a bunch of old family reel to reel films and sat down one evening to project them on a wall and digitize them. This is the sound of that process. What you can hear, i imagine, is the noise of the projector in the left channel and the sound of the reels in the right channel. I've been obsessed with the sounds of the infinite variation in old analog hardware. As a sound designer, that infinite variation is often sought after but rarely, or accurately, reproduced through digital files in various libraries. Of if they are, they're often too short to cover whatever scene i am trying to fill. On the surface it's just noise but if you listen closer it's this wonderful cacophony of overlapping and repeating sounds that are always looping but never quite identical on each rotation. It was ripped from youtube using audio hijack at 48khz/16bit, but due to youtube re-encoding things as youtube does, it's nowhere near the source. It's still, in my opinion, a sound worth sharing. Enjoy!.
Airplane, atr 72 (at72) flying by towards airfield at 300 m altitude. Atr 72 is a plane much like the dh8d, a twin engined propeller plane. Recorded at a quiet location (maybe only some birds). Observing point: 300 m from the side of the flying route (one has to look up about 45 degrees for the plane). Speed: about 250 to 280 km/h. This is the recording as it is, recorded with zoom h2n music-capable voicerecorder. The mode of the voicerecorder was just the good old ordinary left-right stereo recording (xy) not such things as mid-side or 4 channel etc. No compression used. I may have edited out some sudden bird sounds or beeps from the camera but that's of negigible influence on the sound. There is a slight hiss from a row of trees in the distance. Feel free to use. If you're happy with the recording, it only adds to the fun i already had of it.
Featured in the game 'noclip vr'!! thank you so so much, reality games online!. This is heavily inspired by the urban myth and/or creepypasta called the backrooms, which have a very distinct atmosphere to them. This is my interpretation. However, this isn't exclusively for backrooms-related stuff! so by all means, if you're simply in need of some interior ambience of any sort, that's also why i made this for you. No advanced processing was used to achieve this sound. I recorded an electrical box in my garage for the buzzing. For the 2nd layer, i turned on some fans in my room, and made a long mono recording of the white-noise. I then split the recording in half, and used each half for the left and right channel, giving it a stereo sound. I then spent an hour leveling all of it because i'm a perfectionist. Yay. Hardware & software used:-audacity-zoom h4n pro (buzzing)-rode nt1 (fan-noise).
